WIENER MUSIKAKADEMIE

Application deadline: 20th August 2025

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1992

WEB Carlo Duvivié9. February – 29. June 2015
19h00 – 20h00

Workshop for improvisation for acoustic guitar with Carlo Duvivié

Participation fee:

€ 380.-

(per semester)

Minimum number of participants 5
Number of lessons 15
Required skills melody and picking
Venue Wiener Musikakademie

Organisation: Vienna International Masterclasses

IMPROVISATION FOR ACOUSTIC GUITAR. During my education to become a guitarist there was no time for improvisation, maybe you have similar experiences yourself. I am afraid this matter has not changed yet. Although we do master more or less great repertoire including various styles of different musical eras which we are able to increase and impart, many of us decline to improvise, either as a soloist or in an ensemble. It is as if we were able to read a language we cannot talk autonomously. The reason for this is that harmonics are narrowed down to a theoretical subject based on lectures by the universities and conservatoires. This theoretical knowledge is easy to adapt to keyboard instruments for every note has its own key. Also the keys are arranged chromatically. Compared to this a guitar’s fingerboard makes the implementation a lot more difficult. For a guitarist the feasibility to put melodious and harmonious knowledge into practice comes with connecting that knowledge to the system of tabs as a second pattern of thinking additional to the theory of harmony. And that is exactly what it is about: creating melodies and sounds by understanding the system of tabs as well as refreshing and utilizing our lectures about harmonics through haptic enjoyment and knowledge. I myself broke the first ground by discovering some easily comprehensible solutions concerning improvisations on guitar which I successfully apply on my lessons and my own playing.

I OFFER THE FOLLOWING PROJECT: Improvisation is the result of a continuous progression. Therefore we will meet once a week for the period of one semester. These meetings aim to make the system of tabs more understandable so that we can transpose it into sound intensively straightaway and develop it even further. In the end we will have a live jam session and/or the opportunity to make a high-quality recording of a 20 minute improvisation at the Academy’s recording studio...

Vienna, January 2015 Carlo Duvivié

1993

23 - 27 February 2015 Liina-Leijala

Participation fee: € 690.- (active)
  € 290.- (passive)
Number of lessons 4
Final Concert: 27 February 19h00
  Wiener Musikakademie

Organisation: Vienna International Masterclasses

LIINA LEIJALA
Finnish cellist Liina Leijala was born 1984 in Keuruu, Finland. She has studied in Sibelius Academy with Heikki Rautasalo and Marko Ylönen, and chamber music in Escuela Superior de Musica Reina Sofia, with Ralf Gothoni. Leijala finished her master’s degree in Sibelius Academy with excellent marks in spring 2012. In addition to these she finished Post Gradual studies at the University of Music and Performing Arts Vienna.
Liina Leijala is a finalist in EBU young soloist competition and a prize winner in International Gaetano Zinetti Chamber Music competition and Majano Chamber music competition. Leijala’s Gironcoli Quartet won the International Chamber Music Competition in Bled summer 2013.
In September 2012 started working with the Barbirolli Quartet, London. She was nominated for “Young Talents” of Musikverein Wien concert series 2013, she made her debut at the Musikverein in their opening concert of the season. She has performed widely all over in Europe, USA and Asia.
Leijala is in European Chamber Music Academy ECMA with her quartet.
Leijala played as a solo cellist in Orchester Academy of Vienna Philharmonic 2009-2011. Since 2011 Leijala is playing in Mahler Chamber Orchestra. Leijala is also member of Verbier Festival Orchestras and the Salzburg Chamber Soloists.

 

PIANO - Susanna Artzt

9 - 13 March 2015 Artzt

Participation fee: € 690.- (active)
  € 290.- (passive)
Number of lessons 4
Final Concert: 13 March. 19h00
  Wiener Musikakademie

 

«SUSANNA ARTZT’s tone colours are second to none. … an immaculate performance in which the sheer beauty of tone, superbly captured in this recording, leads one to hang onto every note this pianist plays. A thought-provoking recital by a magnificent pianist. »  PAUL LANFEAR, Piano Journal, England"Cultured touch is the magic word, with which Susanna Artzt’s play can be characterized. At the same time she accentuates with fascinating tension, so that these well known pieces sound in a fascinating novelty." (Piano News)

The Austrian pianist comes from a multicultural family with mainly Indian roots. Susanna Artzt showed a special musical talent since her earliest childhood.
At the age of 15 she was the youngest student when she was accepted in the class of Vladimir Krpan at the Zagreb Music Academy.

At 16 she was discovered by Paul Badura-Skoda, who described her as an „exceptional piano talent“ and immediately invited her to attend his class in Vienna at the University of Music. She completed her piano studies there as a Magistra artium with Michael Krist and achieved perfection during her post-graduate studies with Peter Efler. She also worked together with Jacob Lateiner, Murray Perahia, Rudolf Kehrer and Evgenij Timakin in the course of many master classes. During her study period Susanna Artzt was several times a prize winner in international piano competitions.

Both of her CDs have brought her high critical acclaim internationally and Piano News in Germany named her debut CD „CD of the months“.Recitals followed at the Vienna Musikverein, at the „KlangBogen Wien“ festival, at the „Biennale Zagreb - World Music Days“, the „Heidelberger Frühling“ festival, the „International Chopin Festival in Gaming“, the „Contemporary Music Week“ in Bucharest, live concerts with the Westdeutscher Rundfunk in Cologne and at the International Schönberg Centre in Vienna, numerous piano concertos with orchestras, and radio- and television recordings for the ORF, WDR, RAI and HRT, among others.

One of the highpoints of her career to date is undoubtedly the concert with Zubin Mehta, which took place on invitation of the maestro in Munich, and in which she celebrated a sensational success with the Second Piano Concerto by Saint -Saens. Only a few months later she played for the first time in New York, where she gave the first american performance of the Two Waltz-Impromptus op. 9 by Franz Schreker.

While her lively solo concert activities are at the core of her artistic life, Susanna Artzt also undertakes chamber-music encounters with popular partners, such as the cellist Othmar Müller (Artis Quartett) or Tamás Varga, the principal cellist of the Vienna Philharmonic Orchestra. With her husband, the pianist Manfred Wagner-Artzt, she performs since 1998 successfully as the „Arsio Piano Duo“. She also has worked together with actors like Karl Markovics, Dorothee Hartinger, Michael König, etc.

Susanna Artzt's wide-ranging repertoire includes works trom the Baroque to the contemporary modern, whereby she gives special attention to Mozart. Schubert and Chopin as well as the French and Russian modernist fore-runners.

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